Back to main page



now playing
Born to Fly: Elizabeth Streb vs. Gravity My Old Lady Archaeology of a Woman At The Devil's Door The Disappearance of Eleanor Rigby Dolphin Tale 2 The Drop Honeymoon No Good Deed The Skeleton Twins Take Me to the River Frontera God Help the Girl The Identical Innocence The Longest Week The Congress Life of Crime





what's new
20,000 Days on Earth The Guest A Walk Among the Tombstones Fort Bliss Hector and the Search for Happiness The Maze Runner Reclaim This is Where I Leave You Tracks Tusk The Zero Theorem The Boxtrolls THE EQUALIZER Good People Jimi: All is By My Side Pride The Song The Two Faces of January


Visual Hollywoodcurrent/coming contentswhat's new storeabout

AMERICAN REUNION (2012)
ABOUT THE PRODUCTION
Release Date: April 6, 2012
Studio: Universal Pictures
Director: Jon Hurwitz, Hayden Schlossberg
Screenwriter: Jon Hurwitz, Hayden Schlossberg
Starring: Jason Biggs, Alyson Hannigan
Genre: Comedy
MPAA Rating: R

****

ABOUT THE PRODUCTION

Fans at the Helm:
American Reunion Begins


Producers Craig Perry, Warren Zide and Chris Moore have been with the American Pie films since day one and were determined to give fans another glimpse into the lives of the characters we have grown to love over the years. "Six years ago, I started coming to Universal every six or nine months to pitch some version of the movie," says Moore. "Finally, the reunion idea caught on, and with the project greenlit, the challenge was to see if all of the original cast members would be on board."

"One of the great things about the American Pie franchise is that it speaks to moments everyone can relate to," reflects Perry. "We've come to know and love this specific group of characters because they've gone through situations we can all identify with, but the outcome with them is always much funnier and more outrageous. I think that's the reason these movies have always been fan favorites and have become something of classics."

The filmmakers agreed that the only way to do justice to East Great Falls was to ensure that the entire group returned for the reunion. Cast member after cast member jumped at the chance to reunite with old friends. "It's hard to believe that we first met these characters 13 years ago," notes Zide. "It's a testament to how beloved they have become that all of our actors returned to revisit these career-defining roles. I'm as excited as the rest of the audience to see them back together again."

Once the American Pie family started to fall in place, the next thing the studio had to do was to secure a writing/directing team willing to take on a sequel in an already established franchise. "The issue with making a third sequel," says Moore, "is that it's hard to get people who want to come to do it, because the characters have already been created."

Fortunately for the producers and Pie fans across the globe, Jon Hurwitz and Hayden Schlossberg were more than up for the challenges. In fact, they were adamant about getting the job. The writers of all three films in the Harold & Kumar series (and directors of the second one), Hurwitz and Schlossberg were chomping at the bit to re-create the world of American Pie while bringing their trademark stamp to it. Both admit that they have been die-hard fans of the series since their first viewings. They have lost count of how many times they saw the first film when it came out in 1999.

"There were a lot of youth com edies then, but they were all PG-13," Schlossberg explains. "Jon and I always liked more outrageous comedy, and American Pie was the first movie of our generation that had young people acting and talking like young people in a real, risqué sex comedy. That was totally up our alley, and we loved it."

Schlossberg and Hurwitz have been close friends since high school and have a shared sense of humor. Offers Hurwitz: "We went to high school in a similar time as these characters. For a lot of people our age, we feel like this was our high school. What we loved about American Pie is the ensemble. It felt like you knew each and every single one of these people, and we were able to connect with each character in a different way."

The filmmaking partners believe that the secret to the series' success is the balance of big, outrageous comedy with relatable moments, all experienced by real characters. Adds Schlossberg: "The first film had a bunch of really dirty things, and yet, while that's happening, Chris' and Mena's characters have a love story. Tara's character was consumed with her ‘first time' and waiting until her boyfriend says, ‘I love you.' That's what high school is. You have guys obsessed with sex, but then everyone is consumed with relationships and love."

"I get people who will say, ‘I'm the Jim in my group of friends' or ‘I'm the Stifler' or ‘I'm like Oz,'" adds Moore. "American Pie defined this coming-of-age in 1999, and that coming-of-age was much more emotional than just hijinks."

It was only a couple of hours after the producers and Universal execs met with Schlossberg and Hurwitz that they decided to hire the two to write and direct the ultimate installment in the franchise. The producers felt that the partners were a perfect fit for American Reunion.

"I've known Jon and Hayden since they were in college," remarks Perry. "In fact, they submitted their first screenplay to me by cold calling the first assistant director on American Pie and asking him to pass it along! I hired them to rewrite another project of mine a few years after they moved to Hollywood. So having them write and direct this latest installment of the Pie franchise is something akin to destiny. Their love and passion for these movies has come full circle."

"They play off of each other," explains Moore. "You don't have that normal thing where the writer or the director goes away by themselves and comes back with ideas. They actually worked any issue out through the filter of the other. Whoever had an idea pitched it to the other one to get a read on it.

"We loved the Harold & Kumar movies, and luckily for us, Jon and Hayden were big fans of American Pie," he continues. "It was a great marriage of two paths. We needed some new blood who were fans, understood the characters and really wanted to work on the movie. They understand situational comedy, and they trust each other. They can also separate, so you can shoot more because you have two people at different places working."

The two men agreed with the producers that it was vital to the premise to get all of the main cast members and as many of the supporting players back as possible. They appreciated being given a template while also being allowed to bring new characters into the mix. Says Hurwitz: "Universal saw that we were legitimate, huge fans of American Pie, and so putting us at the helm was basically like putting the fans in charge."

"You don't see this usually," adds Schlossberg, "especially when it's been over 10 years since the first movie came out. You'll sometimes see that on a television show where they have a big reunion episode, but in movies you rarely do. They'll recast characters. To see the original actors playing those characters again is just a complete trip. It's like you're literally going to a high-school reunion."

It was a bit surreal for the directors to see the cast together again for the read through. Although many of the performers had kept in touch over the years, they hadn't been all together since American Pie 2. "This is their 13th reunion," Schlossberg laughs. "Had they called us three years earlier, it would've been a nice, clean number. All of these characters who were in high school are now in their thirties. In the first movie, it was all teenage issues; this is a completely new world for these characters."

As the writers crafted the story, they were challenged to find out who the characters were more than a decade later, and to give new arcs to their stories. "Last time we saw Jim and Michelle, they got married," explains Hurwitz. "Now we see they have a child and are dealing with the issues that brings about—whether it's a lack of closeness or, in their case, a lack of sex. Stifler peaked in high school. Back in the day, he was throwing the parties. Now, he's a temp and getting yelled at by the guy he would've picked on in high school. He's no longer in touch with his friends and is a bit lonely.

"Oz has become a big success," Hurwitz continues. "He's a sportscaster and has been on Celebrity Dance- Off. He has a beautiful-but-crazy girlfriend, but he's missing the comforts of home. Kevin is happily married, but his life is neutered. He feels like a housewife who watches The Real Housewives and The Bachelorette. He needs excitement, and this reunion weekend brings that. Finch, well we all have that one friend from high school who falls off the grid and you don't know if he's going to show up to the reunion. Finch was one of our favorites. He was unique and could have had any fate."

"He could have been the Una- bomber or an Internet millionaire," says Schlossberg. "We liked the idea of keeping the mystery of what happened to him—that he is this world traveler who has been out of the country for a period of time. Or at least that's what our guys think, and that's how he makes it out to be..."

Both men admit that the set was filled with unexpected requests. "I can't tell you how many times we had to pick out women's under­wear," laughs Hurwitz. "It all becomes old news, like figuring out the lid to the pot that covers Jason's penis. We went to Jason's trailer and saw a ‘puppetry of the penis,' where he was putting his penis in different directions and smashing it, and we had to decide the right angles for the film."

A Real-Life Reunion:
Casting the Comedy

Because the entire original cast wanted to come back, populating the film was easy. Says Hurwitz: "What's been exciting about the entire cast is that everyone came here motivated to kick ass. They care about their characters, and it was fun getting input from the actors. We were writing it as fans, and we were writing it as filmmakers. But talking to each of these actors to shape the character and where they are now with them has been amazing."

Jason Biggs returns to star as the perpetually horny Jim, and he now tackles the additional role of executive producer. "Jason is unbelievable," commends Hurwitz. "Every take, he gives you so many different options.

He's absolutely fearless. When we were in preproduction and doing rewrites, we discussed the idea of adding one more set piece for him. I sent him an e-mail asking, ‘Do you have any interest in showing your dick?' His reply was, ‘I will do anything for comedy, as long as it's funny.' And he did."

"As an actor I went further than I've gone before," reveals Biggs. "We had the freedom to go to these places comedically that many actors don't. That's why we've been able to avoid being gratuitous with the comedy. This series has never been about being gross just to be gross or trying to insert shock value. It's all earned because these are characters people relate to. There's real heart in the movies, in all of them."

Biggs has long believed what many of us see in the films of the franchise: The wildness of the antics is balanced by heart. Still, he's not above going, ahem, balls-out for a laugh. "I hope people respond, because I put myself out there," he says. "I put out more than I've ever shown, and I'm not talking emotionally. I literally showed more of my body than ever before. I don't know how to top that...maybe the next stop is porn?"

Alyson Hannigan returns as sexy band geek Michelle, now a mother of a young son. She is married to Jim and taking on the role of the quintessential mom/ wife, while fighting to keep her sex drive alive. "Very much like Stifler, Michelle was sort of one-note in the first film," explains Hurwitz. "It's fun that as the franchise has grown, she has developed into much more of a three-dimensional character."

The past 13 years have been good to the actress, who has become one of the most recognizable faces on TV with her enormously successful CBS series. "We're huge fans of Alyson's," says Schlossberg. "We love her on How I Met Your Mother and in these movies. She's got great timing and great heart. With just a look, she brings so much."

Discussing her character, Hannigan says: "Obviously, Michelle has aged, and I was worried about how to bring her quirkiness into an adult level without her seeming like she was still in high school. But Jon and Hayden did such a great job with the script, and it wasn't hard to find a happy medium. She has matured, but she's still quirky."

When it comes to her on-screen husband, Hannigan was happy to be part of the reunion. She reflects: "Jason and I have always had such a great chemistry and rapport, and it's fun to play off of one another. We don't have to work hard to create chemistry; it's just effortless."

Seann William Scott returns as the culture-defining Stifler and also earns his stripes as an executive producer on the film. Comments Schlossberg: "Seann's such a sweetheart, and yet when he turns it on as Stifler, he can make you easily laugh. His face is chiseled; it's like a comedy weapon. He knows how to use his eyes, smile and his jawline, and he has great comedy instincts. The combination gives him a unique energy that is virtually trademarked to this character."

"What was fun for us is that we had Seann stretch his skill set beyond what you've seen with Stifler," adds Hurwitz. "Seann's fearless, and we get to be emotionally invested in the character now. He will bring you tons of laughs, but a lot of the emotional core of this movie is through Stifler. Seann got into it, and you feel for Stifler." Still, one of the scenes the directors wanted to pay homage to was Stifler walking through parties— shooting on his Steadicam and harassing women in the office, as opposed to at his high-school house parties. That Stifler never will change.

The actor says that working again with his longtime friends brought back a flood of memories. When Scott got the script for the first American Pie, he had been in Los Angeles for three years, auditioning while he worked at Home Depot. "The character wasn't very likable at all," Scott recalls. "He was in three scenes, and he was just a straight-up jerk. I was thinking, ‘I'm not sure I would even want to play this role.' But I felt comfortable taking a risk." Scott says he came up with a character who was a combination of five different guys with whom he'd gone to school. He added a bit of improv, and Stifler was born. "I wanted him to be the guy you're not supposed to like."

Scott acknowledges that the role "is so much more fun now. My sense of humor has changed. I'm weirder and a little bit bolder. It's fantastic to play a character who is in his thirties and doing things that other 30-year­olds really want to do. Stifler is the person who hasn't changed, but the world around him has. He's still living in the world of high school."

Chris Klein is back as Oz, now a sportscaster and celebrity dance contestant on the film's fictitious dance show. "Chris trained for a couple of months just prepping for this," relates Hurwitz. "One of our favorite days of the shoot was when we had a whole studio audience, and it felt like we were doing Dancing With the Stars. Chris was performing the dance he worked so hard on in front of everybody."

"In the scope of preparing for a role in a movie, this ranks up close to, if not the top of, getting ready to shoot," laughs Klein. "What I learned is that hip-hop is hard. That's just not something you show up at 32 years old and do. It was a lot of hard work, and I take myself way too seriously."

L.A. choreographer STEPHEN JONES spent a month on set working with Klein on his performance. "He's a big dude," says Jones. "Dancers are normally pretty small, so he was a little stiff at first. Chris is more sports-oriented but once he started loosening up, he started building his swag up and was confident. There's a little bit of B-boy steps, some fancy footwork. He was doing some hits, some pops and getting down."

In addition to lighting up the dance floor, there are definitely on-screen sparks between Oz and his old flame, Heather. "The chemistry between Chris and Mena was so solid in that first movie," says Hurwitz. "It's fun to see those characters together again as adults who are reconnecting. Plus, what his character has going on with Mia was so wild. Chris has a lot to do in this movie, and he hit home runs every time."

Mena Suvari joins Klein and reprises her role as Heather. Reflects Suvari: "Heather has stayed home and focused on her career. She's working in the medical field and dating a doctor. Heather and Oz's relationship drifted apart because Oz had a great opportunity to go to California. He's a successful TV personality now, but Heather wanted to have a family with him. At the same time, she didn't want to lose herself. So they parted, obviously amicably, but it was heartbreaking."

When the two reunite in town, the sparks fly. "I told Mena, and I don't think that she believed me, that she saved me in every scene we had together," says Klein. "Those piercing eyes she has just demand truth. I was right there with her."

Suvari agrees with her fellow cast members that American Pie changed her life. "I remember when it came out," she says. "In the summer of'99 I was working in Minneapolis on Sugar & Spice, and I was sad that I missed the premiere. We were playing cheerleaders in the new film and shooting a football scene, so there were a couple thousand extras. All of a sudden, I started to hear people shouting, ‘Choir Chick Heather!' It freaked me out, and then people wanted my autograph, which completely took me aback."

Another series favorite is the irresistible Vicky, and Tara Reid reprises this touchstone role. "In the first movie, Vicky was the sweet girl whom every girl is relating to when they're watching the movie because she is the one dealing with her first sexual experience and waiting for her boyfriend to say, ‘I love you,'" shares Schlossberg. "We wanted to capture that again. Tara's a larger-than-life personality. She's such a sweet girl. She looks gorgeous, and she's been so much fun to work with."

"It's fun because I know Vicky so well," Reid offers. "It's like having your first pair of jeans and putting them right back on again. A lot of people relate to her. After the first movie, girls would come up to me and tell me about losing their virginity. I heard so many stories. Now with this film, I have a great storyline again. Vicky is in her thirties and living in New York City. She's single, but she's a successful career girl. When she goes back to the reunion, she sees that a lot of people are married and have kids. The clock is starting to tick for her and she wonders, ‘Should I have gotten married and stayed here? Am I ever going to get married and have kids?' Girls who grew up with this film are now that age. Vicky's done a full circle, and I've grown with her."

Thomas Ian Nicholas portrays Kevin, Vicky's former high-school sweetheart. He's now an architect who spends his free time watching reality television with his wife.

Nicholas says that this time around, it was even better working with Reid. "We are more connected now because we've known each other for so long," he notes. "There's an unspoken communication that we have where we can read between the lines."

For American Reunion, the directors asked him to grow abeard. "His wife didn't like it," laughs Schlossberg, who says that they didn't want to make the characters' looks change too much for the film. They wanted the fans of American Pie to see the actors and the characters that they know and love...just a little bit grown up.

Eddie Kaye Thomas, who has worked on all three Harold & Kumar films, is back as the lovelorn Finch. "Everything we've done has had Eddie in it," says Schlossberg. "It's because we love American Pie and him in it. When the movie first came out, Eddie was the youngest, and yet he had this maturity about him. He's a sophisticated older guy in a younger body. He always speaks eloquently and gets to be the Chaucer of the group."

Ironically, Thomas missed both his prom and high- school graduation while filming American Pie, so American Reunion gave him the chance to experience the fun. The actor says that working with his directors was like "hanging out with fanatic American Pie fans. They tried to play it cool, but they were excited about the fact that they got this job. They knew every detail by heart. They're perfectly awkward and hilarious. Plus, I get paid to make jokes and hang out with my friends. We're the luckiest people in the world. Just being around Jon and Hayden, you don't forget that."

"If there's a gag reel it'll be embarrassing how much I can't keep a straight face," adds Thomas. "I think Jason is one of the funniest human beings walking this earth. I can't get enough of him. Anything that comes out of his ugly face is comic gold for me."

It's hard to believe that it has been 13 years since Finch paid Vicky's best friend, Jessica, portrayed by Natasha Lyonne, $200 to spread rumors about his sexual prowess and increase his chances of getting lucky. Discussing her return, Lyonne admits she was "jittery" and as nervous as if she were going to a real-life high- school reunion. Still, she offers: "There's an interesting thing that happens with aging. It feels like all of your opinions and your angst is a little gone, and you're genuinely excited to see people that you know. There's a real camaraderie there." Of her character Lyonne jokes, "Maybe Jessica spent time as a dominatrix. I am not sure what she's been into, but I feel like she's run the gamut. Maybe she did phone sex for extra money on the side."

Shannon Elizabeth is back as Nadia, the Czech exchange student who, 13 years ago, unknowingly ended up half naked with Jim on the Internet. Their sexual misadventure in which Jim gets into the action, erm, "prematurely" was broadcast by Webcam for the entire school to see. "I think Nadia likes sex," the actress laughs. "She misses Jim and would love to be with him because they never had their moment. They never got that time because he wasn't qualified when she was ready. If they ever do a film where he and Michelle get divorced, then I'm sure Nadia will be waiting for him."

Nadia wasn't the only one who had a profound effect on Jim. Schlossberg and Hurwitz knew that in the past we've seen Jim's Dad dole out advice; but in this film, the tables are turned. It's time for Jim to coach his dad and get him back into the dating game. "Jim's Dad has got a wild side," says Eugene Levy, who is the only cast member to appear in every one of the American Pie films. "You can't tell it from his plaid shirt, but it's in there somewhere."

Biggs says it was great to reconnect with one of his mentors. "These last eight years have been huge for me in terms of personal growth," he says. "I'm married, and so coming back and feeling like an adult now with Eugene was great. It's akin to when I go home and I'm with my parents. It's just a different dynamic, but it's a beautiful one. I feel like I've taken his influence in everything else I've done, comically. I've tried my best to adopt whatever I could from Eugene." The two bonded, and in getting Jim's Dad ready for dating, Biggs and Hannigan spent quality time clipping Levy's bushy eyebrows. Laughs Biggs: "We should have used a weed whacker."

Hannigan agrees with Biggs that it was startling to be so near the legendary brows. She laughs: "It was a gift to be so close to them." Still, she asks what we're all thinking: "Those eyebrows are insured, right?"

For Levy, it felt as if no time had passed since he and Biggs chatted in "Jim's bedroom." Indeed, the one on this set looked like the same one from American Pie. "We sat there going through our scene, adding little lines," remembers Levy. "It's a great working relationship with Jason. If I went in a direction, he followed. Nothing throws him, and that gives us great spontaneity. We love being able to overlap. It is like working with my own son." Levy especially loved filming Stifler's party scene. "I'm drunk. I get stoned. It's fun to get in there and be a part of it. Instead of telling the kids, ‘Have fun at the party,' I'm actually at the party."

Levy also enjoyed playing opposite actress Jennifer Coolidge as Stifler's Mom. In fact, the two have worked on several movies together. "The scenes that we have with Jennifer and Eugene are some of our favorites that we've ever filmed," says Hurwitz. "He's larger than life. And what she brings to the table—her improv—she's a total pro. When she walks into a room, it's like ‘wow!'"

"She's one of the only attractive people I've ever played in a movie," laughs Coolidge. "I've always played very strange people, either a loser girl or a gold digger or whatever. Stifler's Mom was just a very likeable, cool woman. What I like most about her is that she's kind of mysterious. You don't really know that much about her."

Last but not least was everyone's favorite MILF Guy, John Cho. The performer has gained fame as Harold in the Harold & Kumar films, all written and one directed by Hurwitz and Schlossberg. "When we saw American Pie, we just immediately fell in love with what John Cho did with the MILF Guy role," says Schlossberg. "It was so distinct and funny."

"It's crazy, because John Cho only has one memorable line in the first movie. He's just like, ‘Dude! That chick's a MILF!'" adds Hurwitz. "He's diving into his career at that moment, and we watched it. That's all it took for us to fall in love with him. We wrote an entire movie because of that one little line. In Harold & Kumar, he plays the straight man, and he has a lot of big laughs. But in this, John gets to be a little bit weirder and bring out more of his unique comic stylings."

Cho—who was originally a member of the jazz choir and only asked to do the MILF role later—says that after he filmed American Pie, he went overseas and was unaware of the phenomenon. "When I returned, people on the streets were like, ‘Hey MILF,' and it was strange. I didn't know what they were talking about at first."

It was Cho who actually told the directors about American Reunion, and they got the call to work on the project shortly. As well, he came up with the storyline for his MILF Guy role in this film. Cho decided that it would be funny to play him as a realtor who planned the reunion and wanted to make a big impression on his former classmates. "We decided that he had a Cadillac, and then from that came the moustache," says Cho. "From the moustache came the hair and the white jeans, which is a strong move..."

While we have our old favorites, several new characters have been added to the original castof AmericanPie. Schlossberg and Hurwitz say they chose to add new players because they didn't feel it would be realistic that all of the couples in high school would return years later and still be together. In many cases they paired original cast members with their opposites. Jay Harrington plays Oz's nemesis, Heather's boyfriend/cardiac surgeon Ron, while Oz is dating model/gold digger Mia, portrayed by 30 Rock's Katrina Bowden.

Dania Ramirez was brought aboard as Selena, who has a romantic storyline with one of the East Great Falls friends. Schlossberg says: "We figured you always go back to your hometown and see that one girl or guy who's just, ‘Wow. They look a lot better than they did in high school!' That's why we set up one of the characters with Selena."

Ali Cobrin plays Kara, who is completely infatuated with the sexually frustrated Jim (and who is also responsible for quite a risqué set piece in the film). Jim comes home to find the girl next door is now a gorgeous 18-year-old. Cobrin jokes that she wore nothing but a thong for two months. It certainly took guts to bare all in the back of a MINI Cooper. In the scene, Jim rescues the drunk Kara, and is determined to drive her home. "There were stunts, car crashes, swerving," she recalls. "I felt like I was in every position in that car except for sitting upright with the seat belt on."

New England Patriots wide receiver (and former Cincinnati Bengal) Chad Ochocinco didn't have to stretch too far to find his character. He appears as himself. "As a Browns' fan, I root against him," Schlossberg dryly notes, "but as an actor, he's funny. Having Ocho complaining to Chris was a fun scene to shoot."

Ochocinco sympathized with Klein when the actor had to perform a big dance number in front of the crowd, as the player was a featured performer on Dancing With the Stars. He says he was quite excited to meet the cast. "I was like a little groupie," he laughs. Discussing his work as Oz's co-hosting sportscaster, he notes: "Saying ‘Play on player!' at the end of the sports segment is funny. I had to give Chris a look like, ‘Are you serious?' That's what you're going to say after a sportscast?"

"American Pie Plaid":
Locations and Design


The writers/directors were thrilled with the behind­the-scenes crew they compiled with the producers. "The team we put together to work on the visuals came through big-time," says Hurwitz. He and Schlossberg had worked with director of photography Daryn Okada on the second and third Harold & Kumar films. "Daryn had so many skills that we knew that we had to have him back with us. As well, Bill Arnold and the whole production design team were amazing."

For production designer Arnold, preparing to create the ultimate installment in the American Pie film saga meant going back to the beginning. He recalls that as soon as he signed on, he bought the three previous films on DVD. He also went back to the studio to see if there were any existing photographs and drawings of the sets. Arnold says that his crew wanted this film "to feel familiar to those who knew the first American Pie, as well as exciting and interesting to a new audience."

With so many sets that had to be built for this film, Arnold recalls that at one point he had approximately 40 people building sets...and that didn't take into account the 40 set painters and those working on the set dressing and other projects.

Although the first film was lensed in California, American Reunion was shot in Atlanta, Georgia. "This whole story takes place in Michigan," Arnold explains. "In Atlanta, we could open up the film and not worry that we couldn't look at palm trees or the architecture that distinguishes Los Angeles. It was a lot more like the Midwest than L.A. Monroe has a beautiful Main Street, and we found a corner that worked as a place to put a mural and the exterior of the local hangout, Dog Years, from the first film. We had a few other scenes that took place down the street, across the street and driving through town that we couldn't get away with shooting in California."

This mural was re-created on the side of a convenience store, and Arnold says the owner was happy to have the artwork on the exterior of his shop. Although Dog Years was the original hangout for the guys, now that all of them are of drinking age, a new bar had to be found. A local tavern near Conyers, Georgia, offered the perfect interior for the bar Jilly's. The bar was supposed to be located in the middle of town, so in Monroe the team found a storefront that could be manipulated for the exterior shots.

One of the biggest challenges in scouting in Atlanta was finding the exterior of the Levenstein's house in the city. Because a pivotal portion of the story takes place at Kara's house next-door, the team had to find two adjacent houses that worked together. Arnold says that he focused on the big things that would make the audience feel as if they were back home, such as the Levenstein's front door, the hedge and the sidewalk.

The home interiors stayed close to the original in look. Because so much of the movie takes place there, for ease of filming, the house interiors were re-created on a soundstage. Fans will recognize Jim's bedroom, a set that, Arnold says, "should be in the Smithsonian Institute." Oddly enough, Arnold's crew had no problem locating the original wallpaper: The L.A. vendor who supplied the first film still had some in stock. The wallpaper is now appropriately called "American Pie Plaid."

Arnold says that DVDs of the first films were used extensively and captured screen shots helped the art director, ELLIOTT GLICK, in his re-creation of the elements they needed. No drawings were kept of Stifler's house from American Pie, so the design team had to make their drawings by watching the films. Additionally, set dressing and decorating were a challenge as they worked to match paint colors, trim and woodwork.

While much of the design work involved re-creating original rooms, the team also had the chance to design Stifler's Mom's boudoir. In the first film, it was seductively located in a room at their lake house. Arnold says: "We now had an opportunity to create what Stifler's Mom's room would look like. It was a lot of fun, discussing how over-the-top we could go. It has a lot of layers and a lot of backstory going on as you look around."

Alternately, Kara's room needed to reflect that of a younger girl than she is in the film. "It has a lot to do with her innocence and what goes on this weekend," Arnold explains. "We wanted it to feel like this was the room where she has grown up. This was her world before Jim, and now it's going to change on this weekend."

The Celebrity Dance-Off sequence proved a challenge for the design team because it had to have that big-Hollywood-production feel on a limited budget. As the sequence is only shown as a television segment, the crew kept it small in scale and used an embellished stage space.

The reunion itself required a much bigger scale and was shot in a local gymnasium that was decked out with what Arnold describes as a more "adult motif" than that of the first movie. "Fabric and carpeting on the floor did a lot to change the whole vibe of the gymnasium," Arnold explains, "along with a lot of amazing lighting."

In most films, the crew is behind the scenes. Not in American Reunion. Many of them posed for the photos used in the "senior wish list" section of the yearbook. As well, they brought in old photos of themselves to fill the pages and saw their actual names listed. Arnold and his team went a step further and asked them to add their wishes to the publication. "Some people got a little goofy," laughs Arnold. "Other people got very inspired. But it gave us a great resource to put that together. It was a good mix of real people, and not just one or two people sitting down and writing it out one night."

To discover the lake and bonfire areas, Arnold just asked around. "Part of the joy of being on location is discovering new places," he says. "So if we were looking for a local place, we could ask, ‘Where do the kids go? Where do you go to have a picnic or a keg of beer?' A couple of people suggested this place called Costly Mill, which is on the side of an old grist mill. It's a beautiful river and a great place to go at night with your friends. We were able to grab it and make it our own."

For Hurwitz and Schlossberg, directing the Jet Ski sequences meant that they had to shoot in their bathing suits. "We both rode Jet Skis for the first time," says Hurwitz, who reveals that the week at the lake— with its extremely high temperatures and humidity—was challenging. "It was a crazy week, but the ability to jump into the water between takes was definitely something I looked forward to."

One person who was watching from the shore was costume designer Mona May. To capture the essence of the franchise with an eye to bringing something fresh to American Reunion, May admits that she spent a lot of time hitting the rewind button on her DVD player while watching the previous American Pie movies.

Discussing a few of her selections, May offers: "Oz is now very famous and wearing high fashion, all European designers and beautiful materials. I think Chris enjoyed putting on the cool clothes—the little pocket squares, the beautiful pink shirts with shiny ties and beautiful shoes. As well, we have Mia, the Maxim ‘Top 10' girl. We wanted to make Katrina look even sexier so she could play it up."

For the costumer, the character of Finch had to have an eclectic collection of clothes. "We believe that Finch has traveled all over the world, so his clothes are European in fashion," she says. "You could even say ‘high fashion,' with cool layers of linens and scarves. His signature look is one of scarves and jewelry—cool, not ostentatious in any way. Real costume is when you don't know that they're wearing it. You see this person and think, ‘Oh, I have a cousin like that' or ‘I saw a guy like that on the street or a girl like that in a club.'"

May explains that Michelle may start out as a mom in jeans and a T-shirt but her style changes as she cranks up her dull sex life. Hannigan was quite open to having sloppy clothes at the beginning of the film, which makes for a bigger contrast at the end. "It's great when you have these transformations and you can show how they've grown," says the costumer. "This movie's full of surprises: You see Jason Biggs in an S&M outfit, running around in leather shorts. It's absolutely crazy."

Finding "alternative" costumes like the leather shorts proved to be a challenge in Atlanta, but May caught wind of an alternative bar called The Eagle that had a leather shop inside. Although the store was closed, she got in touch with the owner, who agreed to open the store for a private shopping trip for leather harnesses and more. That trip was followed by one in which the props department discovered whips and various other items. "Everyone was so helpful," says May. "I think it's for the love of movies that they will open up a shop at midnight for us."

Of course, for the costuming department, the reunion scene was pivotal. May and her staff worked with the rest of the pr duction design team to bring the colors together. As there was a lot of blue and silver on the set, the crew brought out a number of jewel tones in the clothing. May shares: "Even though the audience grows older, we all want to feel like we're still young forever. With the help of film magic, we can, beautifully."

Fights and Falls:
Stunt Work of the Film


No American Pie film would be complete without its fair share of falls. For the scene at Stifler's party in which a group of 18-year­olds fights our stars from the Class of 1999, Schlossberg says he and Hurwitz wrote a simply planned fight sequence. Once they began to film, it had the requisite complexity. "We wanted it to be real," he reflects, "but we wanted it to be funny. We tried to find a balance."

Thomas as Finch got into the action in the scene at Stifler's party in which the fight breaks out; in it, he wields a lacrosse stick. "We talked about it for a while, and then we saw the stunt guys do it," he remembers. "It was brilliant, because we knew that we couldn't have a good fight sequence. That would be ridiculous if we knew what we were doing. But at the same time, we're not The Three Stooges. It was the perfect balance of heart and good intention and having no idea how to fight. It looked great."

"I had to be on the ground during this fight scene, and I'm basically naked," laughs Biggs. "I had this leather bit barely covering my groin. We're on the ground and I had an allergic reaction to the grass, and then there are all these water bugs...huge. They said they were water bugs; I called them cockroaches. Jason does not do bugs."

Bugs were the least of Biggs' problems during one of the bedroom scenes. Luckily, a stuntman took the fall for him. "Kara has been taken to her bedroom by Jim and Stifler," explains stunt coordinator TOM M c COMAS. "When her father comes in, they both hide. Stifler winds up in the canopy, and it gives way and he falls through and lands on the bed." To rig the scene, the stunt team took away half of the bed and the canopy and replaced them with boards. With half the canopy open, the stuntman simply rolled over and fell through the fabric. He landed next to a well-protected stuntwoman portraying Kara.

Through swerving cars and motorcycles, flailing fists, bruised butts, the American Pie gang had a blast coming together for the fourth time. "We're the biggest American Pie fans that you're going to find out there," concludes Hurwitz. "We sought to make a movie we would love. It's got a lot of surprises, laughs, heart and great performances."

Once again, ends Biggs, it's great to be known as that "guy with the pie."


Studio photos, notes and videos © 2012 Universal Pictures