Studio photos, notes and videos © 2009 Fox Searchlight Pictures
— January 22 —
Legion , To Save a Life, Tooth Fairy , Extraordinary Measures
— January 29 —
Edge of Darkness , When in Rome
— February 5 —
Dear John, District 13, From Paris With Love, Frozen
— February 12 —
Percy Jackson & The Olympians, Valentine's Day, The Wolfman, The Yellow Handkerchief
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TOP
10 USA BOXOFFICE |
Rank Title |
Weekend |
Gross |
1. Dear John |
$32.40M |
$32.40M |
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$23.60M |
$630.00M |
3. From Paris with Love |
$8.12M |
$8.12M |
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$7.00M |
$29.10M |
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$6.50M |
$34.30M |
|
$5.50M |
$20.90M |
|
$4.83M |
$82.20M |
8. Crazy Heart |
$3.65M |
$11.20M |
|
$3.40M |
$34.60M |
|
$2.63M |
$202.00M |
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click > posters & wallpaper |
Release Date: August 21, 2009
Studio: Fox Searchlight Pictures
Director: Vicky Jenson
Screenwriter: Kelley Fremon
Starring: Alexis Bledel, Zach Gilford, Rodrigo Santoro, Jane Lynch, Fred Armisen,
Bobby Coleman, Andrew Daly, Kirk Fox, Catherine Reitman, Craig Robinson, Carol
Burnett, Michael Keaton
Genre: Comedy
MPAA Rating: PG-13 (for sexual situations and brief strong language)
Official Website: PostGradmovie.com
Plot Summary: Ryden Malby (Bledel) had a plan. Do well in high school, thereby
receiving a great college scholarship. Now that she's finally graduated, it's
time for her to find a gorgeous loft apartment and land her dream job at the
city's best publishing house. But when Jessica Bard (Reitman), Ryden's college
nemesis steals her perfect job, Ryden is forced to move back to her childhood
home. Stuck with her eccentric family – a stubborn do-it-yourself dad
(Keaton), an overly thrifty mom (Lynch), a politically incorrect grandma (Burnett),
a very odd little brother (Coleman) – and a growing stack of rejected
job applications, Ryden starts to feel like she’s going nowhere. The
only upside is spending time with her best friend, Adam (Zach Gilford) – and
running into her hot next-door neighbor, David (Santoro). But if Ryden's going
to survive life as a post grad, it may be time to come up with a new plan...
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VISUAL
REVIEW
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It
Connects, But Not With Audiences!
Review by David Bruce
I must admit that I was really hoping this film would do
well at the box office. Great cast, and a story that connects
with the current recession. But it did not open to a very
big audience. I felt sad. The studio must have known this
because of when and how it was released. Nevertheless,
I think it was a timely film, that connects with so many
people's experience.
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almost complete. pardon the contruction mess
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