ABOUT THE PRODUCTION

"I only wish I were still in the movie business, because I don't remember any script I ever saw in Hollywood as wild or imagination-stretching as this autobiography yarn has turned out to be."
-- Howard Hughes

In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets.

Actually, that’s a lie.

In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes’ long sought-after memoirs, Irving pulled the wool over the entire publishing industry’s eye s, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime.

Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving’s untrue story. Jumping off from the still controversial facts surrounding Irving’s ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened.

Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who’s been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that’s what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography.

There’s just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He’s never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes’ seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations.

Yet Clifford’s plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins.

THE HOAX is directed by Lasse Hallström from a screenplay by William Wheeler, drawn in part from Clifford Irving’s own memoir of the same name. The producers are Mark Gordon, Leslie Holleran, Joshua D. Maurer, Betsy Beers and Bob Yari. The executive producers are Anthony Katagas and Gary Levensohn. The film stars Richard Gere, Alfred Molina, Marcia Hay Garden, Hope Davis, Julie Delpy, Stanley Tucci and Eli Wallach. The behind-the-scenes team includes Hallström’s long-time collaborators Oliver Stapleton (CASANOVA, CIDER HOUSE RULES) as director of photography and Oscar® nominee Andrew Mondshein (CASANOVA, THE SIXTH SENSE) as editor, as well as production designer Mark Ricker (THE NANNY DIARIES), costume designer David C. Robinson (ZOOLANDER, THE SAVAGES) and composer Carter Burwell (KINSEY, ADAPTATION).

NEXT
INSIDE THE HOAX: ABOUT THE FILM’S ORIGINS
From fabricated books to faked news stories, the media hoax has become a staple of modern American culture -- one of the fastest and most irresistible routes to fame, fortune and adoration in a world that loves a good story, sometimes at any cost. But our current era of constantly erupting scandals was kicked off by perhaps the most spectacular swindle of them all: the Clifford Irving/Howard Hughes hoax of the early 1970s.