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PRODUCTION NOTES
This
film is dedicated to the memory of William Shue
South
Orange, New Jersey 1978
Thanks to Title Nine and brave girls like Gracie, there are over 5
million girls who play soccer in America. Since 1991 the US
Women’s National Team has won Soccer’s World Championships
four times.
This
film is also dedicated to other Columbia High School families
who have known tragic loss: The Nilsons, the Webers, the Sansones,
the Bianchis, the Colasantis, the Bowshers, and the McCluskeys
“You
feel as if everyone should write a book before they die, but
their book is already written. The pages live within those
they’ve touched.”
-Will
Shue
SYNOPSIS
“When
I grow up I would like to play soccer. Many girls are afraid
to play sports with boys. But after you score a few goals you
feel a lot better.”
-Elisabeth Shue, Grade 6
Set
in 1978, GRACIE is an inspirational film about a teenage girl
who overcomes the loss of her brother and fights the odds to
achieve her dream of playing competitive soccer at a time when
girls’ soccer did not exist. Based on true events
from the lives of the Shue family (producer and co-star Andrew
Shue, Academy Award®-nominated actress Elisabeth Shue), the
film is directed by Academy Award®-winning director Davis
Guggenheim (An Inconvenient Truth), who happens to be part of
the family as well, being married to Elisabeth Shue. Producing
alongside Shue is acclaimed filmmaker Lemore Syvan (Sherrybaby)
through her New York based production banner Elevation Filmworks.
The film also features a terrific 1970's soundtrack including
classic songs from Boston, Blondie, Aretha Franklin, and the
Boss, Bruce Springsteen.
Living
in South Orange New Jersey, 15 year old Gracie Bowen (Carly
Schroeder) is the only girl in a family of three brothers.
Their family life revolves almost entirely around soccer: her
father (Dermot Mulroney) and brothers are obsessed with the
sport, practicing in the backyard's makeshift field every day
from morning ‘til
night. Tragedy unexpectedly strikes when Gracie's older brother
Johnny (Jesse Lee Soffer), star of the high school varsity soccer
team and Gracie's only protector, is killed in a car accident.
Struggling with grief over her family's loss, Gracie decides
to fill the void left on her brother's team by petitioning the
school board to allow her to play on the boy's high school varsity
soccer team in his place. Her father, a former soccer star himself,
tries to prove to Gracie that she is not tough enough or talented
enough to play with boys. Her mother, Lindsey Bowen (Elisabeth
Shue) already an outsider in the sports-obsessed family, is no
help either. Undeterred, Gracie finds reserves of strength she
never knew existed, and persists in changing everyone's beliefs
in what she is capable of, including her own. Gracie not only
forces her father to wake up from his grief and see her as the
beautiful and strong person that she has always been but she
also brings her family together in the face of their tragedy.
ABOUT THE PRODUCTION
A Family Project
"The heart of the story was one I've wanted to tell for
about ten years," says GRACIE producer and co-star Andrew
Shue in discussing the genesis of the film. “In the beginning
I wanted to tell a story that paid tribute to our older brother
Will, honored our cherished childhood together and used our family
sport (soccer) as a backdrop. The story came into focus, however,
when I enlisted Davis and my sister Elisabeth to help. Davis
saw that it could also be a way to celebrate my sister -and the
experience she had playing soccer with boys and growing up in
our male-dominated family.”
"The great thing about this project is that our whole family's
involved," says Andrew. "It really is a dream to get
to be able to work with my sister and work with Davis and work
with my brother, John who graduated from Harvard Business School
and was instrumental in helping us solve all the financial issues
we faced. We didn't set out for it to be a family movie, but
then as it started to happen, it was clear that we all needed
to be involved.”
With
the Shue's extended family working together, the shooting of
GRACIE did not come without its own challenges. "The
most difficult thing is the feeling that there's this real family
whose story you're telling. You want to feel like you're not
cheapening their lives and make sure that you're telling that
story in a fair and truthful way," says Guggenheim. "We
had long talks about that issue, Elisabeth and I would discuss
how we could use the family history as a starting point, but
ultimately the actors had to find their own characters."
The Shues Get Their Kicks
In the backyard of their New Jersey home, in the mid-seventies,
the Shues measured themselves by how they played soccer. They
all wore the same number seven that their father wore when he
captained the Harvard College team in 1958. Elisabeth was the
only girl playing in South Orange and Maplewood, from ages nine
to thirteen in the year-round town soccer leagues. Will the oldest,
captained the Columbia High School team and scored the winning
goal in the 1978 State Championship. Younger brother John went
on to become a Regional All-American while at Harvard College.
Andrew played at Dartmouth, professionally in Africa and later
in the U.S. with the Los Angeles Galaxy.
An
article in the family's local paper once touted, "The
Shues Get Their Kicks," explaining how there was a Shue
in every single division of their soccer league, from Andrew
and Elisabeth's father down to their younger brother John.
“In our family, like in Gracie’s, the way you got
attention was to score goals and to stand out as an athlete.
I loved the game of soccer and although there were times when
being the only girl on boys’ teams was extremely lonely
I also loved the competition and challenge of always having to
fight to be seen as an equal,” says Elisabeth Shue.
In
discussing the sport's impact on his family, Andrew says, “Soccer
really was our lifeblood. It was the thing that defined us. It
was the thing that helped give each of us our confidence. It
also gave us a connection to our father who had played and gave
us that real sense of a shared history and that connection between
the generations. I think soccer is the sport most like life.
It is free flowing. You have to work and work and work and if
you are lucky you put the ball in the goal once. Sometimes that
is enough to win.”
The Inspiration
While the Shue family's love of soccer provided structure for
the film, the inspiration arrived in a more tragic form: Elisabeth,
Andrew and John suffered a loss similar to the one the Bowens
experienced -the loss of their brother Will in an accident in
1988.
"It's been nearly 20 years since he died, so it's almost
just enough time where you can actually start to talk about it
without getting overwhelmed," says Andrew. "He was
just this incredible person who taught all of us about what's
most important in life; your relationships, how you treat each
other and how you never give up no matter what the odds are.
Says Elisabeth: “Will was the one who was always most proud
of us when we accomplished anything. He was such a kind spirit.
The bird in the film was based on a baby hawk named Amber that
he found in Maine and kept in his room, even sleeping with it
at night to nurse it back to life.” Adds John Shue: “In
a conversation with our father a year before he died, Will said – ‘You
feel as if everyone should write a book before they die, but
their book is already written... the pages live within those
they've touched’."
Casting
One
of the primary challenges facing the filmmakers was the casting
of the title role, after an exhaustive search, the role was
given to Carly Schroeder, best know to audiences for her performances
in such films as Mean Creek, and Fire Wall, as well as television's ‘Lizzie Maguire’. "Carly's amazing.
We looked at so many people for this part and she was really
the only person out of everybody who could have played the part," says
Elisabeth. “We did see some amazing actresses, but there
was something about Carly that was so unique. She has such a
strong, willful spirit and her fierceness is so visceral and
raw with a real need to prove herself, which I think is so much
Gracie. But it was her ability to expose the pain that Gracie
faces when she loses her brother which was most extraordinary.” Durmot
Mulroney, who plays Gracie's father: "She (Carly) wound
up being quite the little spitfire. What is most impressive is
what she's done physically -learning the sport from scratch."
2,000 audition tapes for the title role of Gracie were narrowed
down to eight candidates: two soccer players with moderate acting
experience and half a dozen young actresses who were well-versed
performers but had limited exposure to the sport. Though she
had played some soccer as a young girl, Schroeder's commitment
to the physical training required for the role proved absolute.
(Indeed, the young actress seemed to grow in physical confidence
and stature as the film progresses). To help Schroeder with her
training, the Shues enlisted the help of Dan Calichman, former
player and captain of the Los Angeles' Galaxy, Calichman spent
12 weeks working with Schroeder on her fitness, strength and
soccer skills prior to shooting.
"Carly is really one of the most gifted, extraordinary
actresses I've ever worked with," attests Guggenheim. "I
kept needing to remind myself that she's only 15. She's got the
experience and the technique of an actor who's 20 years older
but she's also got this fierceness that many seasoned actors
don't have. As a director, you dream of having actors as talented
and charismatic as her."
“We still had to find the all-important part of the father,” says
Guggenheim. “The authenticity of the story was going to
rest with this casting choice. We really lucked out when Dermot
agreed to take the part. He not only happened to have played
soccer in high school but he was an actor that effortlessly embodies
authenticity. Dermot understood the broken nature of this man
and how he had to so subtly change and begin to heal as he finally
is able to see and accept his daughter in his life for the first
time.”
Born to Run
One
element of the production that was important to the filmmakers
was their decision to shoot the film in New Jersey, where the
Shue family spent their childhood. "We talked about shooting
it in Canada and trying to save money and we just felt it was
crucial to film it in New Jersey," says Andrew. "It's
been great coming home and spending time in the area. We've shot
a bunch of scenes in South Orange and Maplewood and the State
of New Jersey has played a huge role in the funding of the film,
so it's really been a home-grown project and it's nice to have
that kind of support."
Not
only did the film shoot in the Shue's home state, but Andrew
and Elisabeth's high school, local pizzerias, and teenage hangouts
all make appearances. Says Andrew: "It
was really special to be in our high school, it just means
a lot to walk in there and know that you're coming back, to
walk down the same path that you traveled before and to actually
have your movie set be the place that you grew up-it's pretty
magical. The scenes come alive because it's real."
The
magic only continued for the Shues when they were able to get
the Boss involved. Bruce Springsteen, the Garden State's master
poet, made a rare exception and provided his song "Growin
Up" for the film's pivotal montage.
"I hope that everybody who sees this film laughs at least
once, cries at least once, and cheers at least once. If we've
done that, we will have succeeded,” says Elisabeth. “Most
importantly, I hope that people who see the film realize that
no matter how tough life gets, if you stick together with the
people you care about, you can get through anything. Like Johnny
says to Gracie in the beginning of the movie -‘You can
do anything’ -my brother Will taught us that with his love
we could… the journey of making this film is proof of
that.”
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