WHO WERE THE MAYA? Maya. Since they couldn’t actually stretch the ears of the actors—as the Maya did—special ear attachments were made of a pliable silicone, then painstakingly painted to match each actor’s skin. Another common Mayan practice was the deformation of the skull. A few days after an infant was born, a board was placed on the forehead, which caused the forehead to recede into the famous Mayan head shape. To simulate this effect, many of the actors had their hairlines shaved higher up on the head and wore elongated hairpieces. The spectacular sets and makeup—along with the digital cinematography and irreplaceable beauty and dangers of the jungle—helped to forge the intense visual reality that was so key to Gibson’s vision. “What we wanted to do with the camera, sets, makeup, costumes and performances is make everything as real and believable for the time as possible,” he says. “I think the film has an important message to convey, but if you can carry that message in a heart-stopping, thrilling way, that is so much better.” |
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